Tom Giwi is an artist and designer whose practice encourages viewers to slow down and engage more deeply with the visual. Through a combination of drawing, print and sculpture, Tom creates striking abstract work layered with details that force the audience to spend time exploring the dynamic, distorted and fragmented scenes presented to them.
With a background in design, he is heavily influenced by the eye-catching industrial aesthetics—fluorescent colours, high-visibility materials, reflective surfaces, and industrial machinery. Tom uses laser cutting and materials such as acrylic and metal to capture these qualities. These elements, often associated with function and utility, take on an abstract, almost enigmatic quality when removed from their original context. His compositions feature bold, clean line work juxtaposed with jagged, expressive strokes, often layered through tracing paper and light box techniques. Primarily working in black and white, he incorporates selective bursts of colour to highlight movement and form, with flying debris as a recurring motif—symbolising both fragmentation and energy.
EBC Big Summer Blowout (2023) Peoples Republic of Stokes Croft
Metal Is Bendy (2024) D Unit
In Betweens (2025) Southwark Park Gallery
Rites of Ruins (2025) Peckham Safehouse
Education
Royal College of Art (RCA) MA Print, 2025
Day School (FKA East Bristol Contemporay Day School), 2023
University of the West of England (UWE) BA Illustration, 2020
01.Petal Blades, Floral Shards
Acrylic Plastic, Mild Steel, Solvent Based Screen Print Petal Blades, Floral Shards bring together the harsh jagged edges, solid clean surfaces of metal with the beauty of the soft, elegant natural forms of flowers.
02.Tectonics
Acrylic Plastic, Screen Print, Mild Steel, Laser Cut and Engraving.
2025
Tectonics seeks to encapsulate the creative experience—the challenge of expressing abstract thoughts and emotions that often feel too vast to contain. Many creatives attempt to bring the depths of their inner world to the surface through their work, yet the process is never truly complete. As one piece reaches its conclusion, those depths shift, and the need to create begins again.
This work explores this perpetual motion, drawing inspiration from seismic diagrams that predict earthquakes caused by shifting tectonic plates. Just as these natural forces shape the earth, the creative force is immense, unpredictable, and beyond our control.
Engraved and printed onto clear acrylic, the piece invites light, reflection, and movement to continuously interact with it—ensuring it remains in flux, never static, and always evolving. Split into four panels, with three ‘plates’ engraved onto the surface, Tectonics embodies the idea that an artwork or artefact is not a singular whole but a convergence of smaller ideas developing over time. This is further emphasised by the printed textures, derived from scans of test pieces created before the final work—traces of the creative process embedded within the piece itself.
03.Collisions Drawings
Drawings on Paper.
2020 - Ongoing
Singular moments of chaos, turbulence and destruction. Materials shredded to pieces, shifting. Perhaps in the process of becoming something new.
Graphite, ink, Red Acetate, Washi Tape (A4) Blue and Black Ink, Graphite Chalk Pastel Chalk PastelInk, Flourescent Orange InkChalk Pastel
04.Project D
Lorem Ipsum Gallico / Angli 2011Publication
ISBN: 0-4748-4976-7 246 x 292 mm 144 page Softcover
Mauris leo erat, placerat quis semper eu, pulvinar in est. Nam eget justo quis ligula faucibus pretium ac nec mi. Aliquam lacus est, auctor sed arcu at, luctus condimentum lectus. Quisque vitae eleifend quam, vel suscipit nisl. Duis efficitur est nunc, eget efficitur felis porttitor in. Donec facilisis ultrices mattis.
1/3 Officia Sequitur, Ratione2/3 Officia Sequitur, Ratione
05.Project E
Lorem Ipsum
Anglicus
2003Publication
ISBN: 0-7449-4575-5 216 x 254 mm 140 pp. Hardcover
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1/3 Ipsum Voluptate, Nostrum2/3 Ipsum Voluptate, Nostrum3/3 Ipsum Voluptate, Nostrum
06.Project F
Lorem Ipsum Anglicus1995Publication
ISBN: 0-2146-7237-9 250 x 205mm 60 pp. Softcover
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1/4 Quasar 1995, Magna Corporis2/4 Quasar 1995, Magna Corporis3/4 Quasar 1995, Magna Corporis4/4 Quasar 1995, Magna Corporis